12:59 Dec 16, 2016 |
English to Hungarian translations [PRO] Art/Literary - Cinema, Film, TV, Drama / filmkészítés | |||||||
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| Selected response from: András Veszelka Local time: 15:15 | ||||||
Grading comment
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Summary of answers provided | ||||
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4 +1 | kreatív stáb |
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3 +2 | a forgatást megelőző/előkészítő (ATL) |
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Summary of reference entries provided | |||
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Wikipédia szócikk |
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Discussion entries: 1 | |
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kreatív stáb Explanation: A below-the-line lenne a műszaki stáb. https://en.wikipedia.org/wiki/Above_the_line_(filmmaking) https://en.wikipedia.org/wiki/Below_the_line_(filmmaking) |
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Notes to answerer
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a forgatást megelőző/előkészítő (ATL) Explanation: Az alábbi referenciák szerint ez egyrészt nem csapat/stáb, hanem különféle kiadási tételek, másrészt nem kötődik a kiadások kreatív jellegéhez: FilmProposals Answer: Hi Fp! You are asking about Above the Line (ATL) and Below the Line (BTL) costs. Above the Line costs are those determined or spent prior to filmmaking and may include screenplay rights and salaries of top talent (actors, directors, producers). Below the Line costs include salaries of support staff and talent and all production costs - catering, studio, lighting, etc. Above the Line costs are usually varied while Below the Line costs are more fixed. http://www.filmproposals.com/what-are-atl-and-btl-costs-in-f... Above-the-Line (ATL) Expenses: A forgatást megelőző jelentősebb kiadások (forgatókönyv díja, megfilmesítési jog, a színészek, a stáb, a rendező, a producer gázsija, logisztikai-forgatási költségek stb). Below-the-Line (BTL) Expenses: Minden költség, mely nem tartozik az above-the-line (ATL) kiadások közé, pl. zenei jogok, reklám, marketing, trailerek készítése stb. http://filmsor.net/filmes-es-sorozatos-kifejezesek-es-szaksz... The distinction between "above the line" and "below the line" has nothing to do with a role's creative influence or importance of a particular role in getting a film done, nor does it determine the influence of individuals on the final product. "Above the line" is simply a group of departments whose heads are most likely to be involved in a film before any money is in place, in the development phase. As William Goldman illustrates in his "Adventures in Screenwriting", a few things need to be in place before a film is given a green light, a great script or material, a director, a male lead and a female lead, and this package is put together by a producer. "Below the line" are those departments who aren't traditionally hired until the money is in place to pay for them. They, by and large, begin their work with principal photography, or sometimes with the start of post production, and maybe in pre-production - but hardly ever do they start work during the development phase. These include the editor, cinematographer, and other incredibly skilled craftspeople who do essential work behind the scenes but who don't tend to be well known by those who are financing a film. https://www.linkedin.com/pulse/above-line-verses-below-film-... Lásd még a filmgyártás szakaszainak, ezen belül az "előkészítés" szakaszának a leírását itt: https://hu.wikipedia.org/wiki/Filmgyártás |
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34 mins |
Reference: Wikipédia szócikk Reference information: https://en.wikipedia.org/wiki/Above_the_line_(filmmaking) „Above-the-line is the list of individuals who guide, influence and hopefully add to the creative direction, process and voice of a given narrative in a film and their related expenditures. These roles include but are not limited to the screenwriter, producer, director and actors” -------------------------------------------------- Note added at 37 mins (2016-12-16 13:36:02 GMT) -------------------------------------------------- https://en.wikipedia.org/wiki/Below_the_line_(filmmaking) |
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