GLOSSARY ENTRY (DERIVED FROM QUESTION BELOW) | ||||||
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16:42 Dec 15, 2018 |
Polish to English translations [PRO] Art/Literary - Music | |||||||
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| Selected response from: Frank Szmulowicz, Ph. D. United States Local time: 14:54 | ||||||
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Summary of answers provided | ||||
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3 | motoric sixteenth-note motion |
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3 | sixteenth-note rhythmic pattern |
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motoric sixteenth-note motion Explanation: piece, and includes unusually elaborate ... The Concerto: A Listener's Guide https://books.google.com › books Michael Steinberg · 2000 · Music There is plenty of motoric sixteenth-note motion, but it is often broken up by bits of fast scales. A special feature of the Capriccio is the ... Toccata and Fugue in D minor, BWV 538 .. |
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sixteenth-note rhythmic pattern Explanation: Innym ciekawym przykładem jest Scherzino: Powyższa kompozycja zawiera różnorodne elementy wykonawcze opisane wcześniej, a więc artykulację staccato, motoryczny ruch szesnastkowy, oraz eksponowanie melodii górnych dźwięków. 2. motoryczny – upatrujący sens muzyki w ruchu, a więc akcentujący stronę rytmiczną ukształtowań muzycznych; http://chopin.man.bialystok.pl/umfc/wp-content/uploads/2016/... cccc n Book 5, students are introduced to sixteenth notes in various rhythm patterns. The wide variety of student selections include 3 folk, 4 jazz, 13 classical, and 8 contemporary original pieces. Scales (in both 8th and 16th-note patterns) with their cadences are presented in five major and five minor keys. Root, 1st inversion, 2nd inversion, and open position chords for each key center are also introduced. http://nuty.pl/opracowanie/fortepian/Scherzino.html cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc This passage in particular is quite innovative and exciting - the use of 3rds, a straight sixteenth note rhythmic pattern, and that offbeat open string C, then G, https://www.deepdiscount.com/christopher-costanza-cello-suit... cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc The same spacious feel characterizes the direction of the melody, and the dotted eighth note preceding sixteenth note rhythmic pattern occurs twice during these https://ir.library.oregonstate.edu/downloads/sj139394v cccccccccccccccccccccccccccccccc The piece is built upon a sixteenth-note rhythmic pattern, with migrating scales. The eighth-note pattern accompaniment presents a free toccata style which gives http://scholarworks.csun.edu/bitstream/handle/10211.3/202442... ccccccccccccccccccccccccccccccc The tremolo and sixteenth-note rhythmic pattern continue as the voice enters. The dynamic marking for both voice and piano at this point is https://fsu.digital.flvc.org/islandora/object/fsu:182397/dat... cccccccccccccc Talking Rhythm: Counting 16th Notes Ever wondered how to count 16th note rhythms? https://www.musical-u.com/learn/talking-rhythm-counting-16th... ccccccccc The lied begins with a rhythmic accompaniment, replicating the sound of a spinning wheel. This is not only suggested by an illustration but a literal continuous sixteenth note pattern in the right hand and the reciprocating motion of the treadle by the left hand that sets the scene. Gretchen begins to sing, expressing her most inner desires, leading the spinning wheel as her mind moves along with the rhythm of her hands. This is were the sixteenth pattern is accelerating and the dynamics are building from forte to fortissimo expressing Gretchen's inexplicable desires. This is also the point where the sixteenth note rhythmic pattern ends, she has let go of the wheel and letting herself go completely to Faust. http://behindthespinningwheel.blogspot.com/2008/ |
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