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09:07 Oct 21, 2020 |
Spanish to English translations [PRO] Law/Patents - Music / Copyright Management | |||||||
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| Selected response from: Adrian MM. Austria | ||||||
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Summary of answers provided | ||||
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3 | Broad / Wide-Range Copyright Protection Association |
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Summary of reference entries provided | |||
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Refs. |
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Discussion entries: 7 | |
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Colegio de Gran Derecho Broad / Wide-Range Copyright Protection Association Explanation: - as opposed to Colegio de Pequeño Derecho> Limited 'Thin' (see below) or Narrow-Range Copyright Protection Association. I think that, in English Common Law, the distinction would be drawn between strong, legally assigned copyright and weak, equitably assigned coypright or other performing rights. Example sentence(s):
Reference: http://www.proz.com/kudoz/spanish-to-english/business-commer... Reference: http://www.carterdeluca.com/news/musical-works-entitlement-b... |
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Reference: Refs. Reference information: https://es.cisac.org/Sala-de-prensa/Sociedad-prensa/Enrique-... The leadership of SGAE falls on its Board of Directors, government organ and representation of the society composed of 39 members, partners from the entity, which are spread amongst the ***College of Great Law***, the College of Small Law, The Audiovisual College and the College of Music Publishers. The election of the person responsible of the general leadership corresponds to the Board of Government.. The board of directors of the SGAE forces a motion of censure ...spainsnews.com › the-board-of-directors-of-the-sgae-forc... https://spainsnews.com/the-board-of-directors-of-the-sgae-fo... Then, Cabal, vice president of the ***College of Great Law** (performing arts), claimed that his abstention vote in favor of Hevia had only one meaning: to save the SGAE. "We live a worrying moment, on the verge of extinction. We have to fix it from the inside, "he said. -------------------------------------------------- Note added at 3 hrs (2020-10-21 12:32:07 GMT) -------------------------------------------------- The history of "gran derecho" and "pequeño derecho" is rooted in France (from 1791). 8.a La distinción entre obras de “gran derecho” y obras de “pequeño derecho” http://emprendodanza.feced.org/wp-content/uploads/sites/8/20... Page 21 Tradicionalmente se viene haciendo una distinción entre obras de pequeño derecho y obras de gran derecho. Sin embargo, estos conceptos no se hallan recogidos en nuestra Ley de Propiedad Intelectual ni en la legislación de otros países a nivel internacional siendo una distinción que se generó en su momento en la práctica cotidiana de la gestión de los derechos de autor. Esta división entre pequeño y gran derecho tiene su origen en Francia. 14 En 1791, se aprobó el Decreto sobre la Petición de los Autores Dramáticos en el que se recogía que “Las obras de autores vivos no podrán ser representados en ningún teatro público en Francia sin el consentimiento formal y por escrito del autor”. Así la Société des Auteurs Dramatiques (SAD)15 empezó a aplicarla con la Comédie-Française. También se creó una nueva organización llamada Bureau Central de Perception des Droits d´auteur16 por un compositor y libretista, organización que alcanzó acuerdos con la Comédie-Italienne por los que se estipulaba que al autor le correspondía una séptima parte de los ingresos netos. A estas organizaciones vino a sustituirlas la Société des auteurs et compositeurs dramatiques17 en 1829 que agrupaba a autores y compositores dramáticos de obras para la escena y que gestionaba el derecho de éstos a cobrar un porcentaje por la representación de sus obras en teatro, lo que se llamó “gran derecho”. https://webcache.googleusercontent.com/search?q=cache:IebIda... http://webcache.googleusercontent.com/search?q=cache:TQQ-I3f... 3.0 Grand Rights/Small Rights One of the most important distinctions that needs to be made in this matter is the difference between what are called "Grand Rights" and what are called "Small Rights." Dramatic performance rights (Grand Rights) are not licensed by rights agents. Only non-dramatic rights may be licensed by these agents. Unfortunately, what constitutes a dramatic or non-dramatic performance is subject to many interpretations. Clearly, Grand Rights apply whenever a piece of music is used as underscoring in a play. It also seems to be clear that Small Rights apply to background music e.g. in a theme park. But what what about a grey area such as pre-show and intermission music? The answer seems to be that if the music is totally unrelated to a production, then it would be considered Small Rights. However, if the music could be shown in some way to be related to the main body of the production, it would be considered Grand Rights. So in some cases University ASCAP/BMI licenses may apply to these types of uses. However, one should be aware that even with these licenses, one could be found liable for violation of Grand Rights infringements. Securing Small Rights clearances is a relatively simple matter (i.e. compared to Grand Rights). One needs only to apply and receive a license from the respective agency representing the artist at hand such as ASCAP or BMI. Securing Grand Rights clearances is another matter entirely. |
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